South Side Chicago alt-RnB artist MIRIAH recently released her debut project PINK GUN, and we have it on repeat. The singer spoke to NYOTA about her collaborative process, what she hopes listeners take away, and her advice for aspiring musicians.
Do you have other musicians in your family? What initially sparked your interest in making music?
I learned later that my great-uncle and other family members were writers and singers; they definitely inspire me now. What initially drew me to music, though, was hearing music I loved. I remember that after hearing and watching “Rock The Boat” by Aaliyah, I had this intense desire to make something as cool that would make someone feel what I felt.
How did the Chicago music scene impact your relationship to music, if at all?
It made me feel like my dreams were attainable, but also that the creative ideas in my head could come to life with the right community.
On PINK GUN, you collaborated with TheArti$t, theMIND, and Mello Buckzz among others. What did you learn from working with them?
They’re all such incredible artists. I was just grateful to them for believing in the music honestly. I learned so much about self-trust and communication. Being clear about my vision and communicating clearly helps everyone figure out how to work together best.
You’ve said that the album focuses on self-discovery after grief. Was it cathartic to work on?
It absolutely was. I think being able to put my emotions somewhere purposeful feels like the greatest relief. It’s really therapy for me. Most times I create a song, I’m just honored other people like them.
This might be like picking a favorite child, but do you have a favorite song from the album?
Haha, honestly I don’t. During the process of finishing the mixtape, I went back and forth through a few songs. Now that it’s out, I can’t listen to them anymore. I don’t know; I love music based on how it makes me feel, no matter how objectively good it is. But now that they’re out, I can’t connect to them anymore, so I don’t have a favorite.
How creatively involved are you in the visuals for your songs? For example, with the music video for 36 Hours, did you come up with the concept?
Yes. I care so much about the story portrayed alongside the music. Visuals give you the chance to tell parts of the story that you’re unable to tell in the song. I typically co-direct with the creative director I’m working with at the time. I always appreciate their willingness to collaborate with me and their ability to bring their own lived experience to whatever idea I might have.
What do you hope listeners take away after listening to PINK GUN?
I hope they see hope after pain. I really wanted to communicate that the human experience will come with its lows, but we owe it to ourselves to make it through to the highs.
What advice do you have for aspiring musicians?
Investigate why you want to make music, because a strong enough “why” behind what you’re doing will be the thing to carry you. And something I’m learning right now is the importance of continuing to have fun with creating.
